The lovely Sian here visiting all the way from Australia* wearing her lovely red cotton voile shirt dress that she made with her purchases from her last visit. The pattern is Burda 6353 (lengthened in the skirt), it’s lined in an equally fine cotton lawn to keep the lightness and coolness. (and it is very cool 😎)
*I don’t think Sian travels 10,000 miles just to see us.
Jane made up this old Karl Lagerfield pattern FINALLY after it lurking in the pattern drawer for nearly 20 years. The Linen is the Japanese designer nani IRO for Kokka. Jane had a bit of tweaking to get it right – too small on the bust but massive everywhere else – such as life goes with a pattern for the first time, but having been altered it is now PERFECT 😊
It’s got pockets!
It is lined in Venezia faced with extra light interfacing and there is a concealed zip up the back. The pattern is Vogue 1412 (long since discontinued but possibly available second hand).
Rudi the Siamese cat has to be in the photo too. Even if he didn’t get his ‘best side’.
Jane made this lovely pineapple print yellow seersucker sundress for Mioaw, she chose the fabric herself which has proved a good move as she has lived in it all summer (YAYYYY!). The pattern is Burda 9417.
Bess nearly didn’t make this white cotton broderie anglaise dress because she was worried about cursing the summer but in the end decided 2018 sunshine was a dead-cert. Yayyy for proper summers! The pattern came out of the June 2018 Burda magazine, it’s supposed to have wing type things over the armholes but Bess decided to not do them <s>because she couldn’t understand the instructions</s> because she decided they were overkill.
The dress is lined in white cotton lawn with a splash of red in the piping around the neck. Bess’s favourite bit is the POCKETS 😊
Julie made up this super jacquard jersey into a three quarter sleeve dress and is really pleased with it (as are we!). The pattern is self drafted and works brilliantly with this stable jersey that behaves much like a ponte roma jersey does (although this is a lighter/looser weave).
Clair teaching in Sunny Spain wearing this beautiful Black British pure worsted wool pinafore dress, the pattern is self-drafted and the pleats were a dream to press. She says it’s too good for work but she’s always worn lovely clothes to work (she used to work for us and we can verify she always wore lovely clothes then).
Karen came to the shop wearing this brilliant blossom print Japanese cotton shift dress, she made it using the Tilly and the Buttons Françoise pattern, it has been lengthened and a with bit of tweaking to the french darts (hardly visible in this fabric) this has become a firm favourite in Karen’s wardrobe. This cotton has a great weight to it that barely creases, doesn’t shrink (and so pre-washing shouldn’t be necessary) and is loose enough weave to remain cool and breezy.
The lovely Sandra here modelling her navy blue needlecord/babycord cotton shirtwaister with matching classic marble effect buttons. The pattern is McCall’s 4769. She is really please (as she should be) and has had a lot of wear out of it 😊).
Petra sent us this pic of her dress made up using spotty silk twill from LG. You will notice the spots are arranged inline rather than offset which makes them a super finnickity to match but she did it really well.
She said: A week ago I googled dress fabric shops in the uk and came across an article in The Guardian titled 10 best fabric shops in the uk. I looked at your website and found exactly the fabric I wanted. It came on the Monday and now I have a dress to wear for a wedding! Thank you for you friendly and professional service. I will definitely look at your shop for other fabric.
I know we always say this but is there anything out there better and more versatile than a wool crepe? Here we have Bernie (from French France) at her son’s wedding (in the UK) wearing this lovely shift dress expertly fitted by Bernie’s teacher Brigitte. The pattern was out of the Burda magazine (and they clearly remembered to add seam allowances 😂)
This is Christine’s Granddaughter Georgia, who was nearly 5. She’d just been to stay, and as soon as her parents had dropped her off she wanted to ‘do sewing – a hat and a dress!’ They found a lovely free bucket hat pattern online – from Oliver + s – a PDF, a first for Christine but very easy, and sewed up nicely. Then they found a New Look G205 pattern for the dress. Everything made up really nicely in the seaweed print cotton. Christine was thinking of ric-rac, but as soon as Georgia saw the daisy trim she fell in love with it. As you can see, she loves her dress, and thinks it’s very good for twirling in! The hems are sewn with a daisy stitch to match the trim.
We have been looking at this stretch cotton sateen multicolour stripe for a while thinking “something FANTASTIC could be made out of this”, and here we have the proof. Marion, with her dress made and designed by the clever stick Dawn Hooper of Hardy and Hooper (Maidenhead). We love the chevron detailing on the back, and the perfectly matched seams. This kind of attention to detail really pays off. 👍
Pamela sent us this photo after a season of wearing this self proclaimed favourite dress made up from her stash of heavy linen. Aside from the generally pleasing aesthetics of a colour block dress you get to do some quality stash busting. Win/Win! For the best results use like fabrics (weight/drape) and make sure they are colour fast for the cleaning. It’s a good idea to use those colour catcher sheets you put in the machine as a precaution.
She made it up again in Green (which we love) but the yellow remains the favourite.
The lovely Anne here in full glory doing the Mother of the Bride thing wearing this statement tulip print poly twill taffeta dress and classic wool crepe bolero jacket.
Anne had help matching the tulips at a sewing class in Bath (the pattern is Vogue 8997). The wool crepe in the bright pink for the jacket was lovely to work with and drapes well (the pattern is Burda 8997).
Penney made up this dress for her daughter Rosie using silver satin and overlaid on the bodice with silver guipure lace, originally the plan was to have the lace all over but they opted (quite rightly, we think) to stick to just the bodice, even though Penney had already matched up all the pieces (doh!). The pattern is made up from two other patterns – Vogue 2913 (one of Penneys from the eighties) and Vogue 8076. She used used a full toile to fit it and amend. Rosie was very specific about what she wanted as teenagers do best!
White Broderie Anglaise embroidered cotton dress made by Jane for Lulu using Vogue pattern 1942 (discontinued). IT is trimmed with turquoise blue satin bias, soft cotton bias and piping around the neck, and lined in cotton voile.
Marion wearing her super dress made with brown and yellow geometric floral print cotton babycord, there are clever princess seams that are piped and curve out to the side seams below the waist, which is a very flattering design feature. Made and designed by Dawn Hooper of Hardy and Hooper (Maidenhead)
Madeleine overjoyed with her butterfly print viscose halterneck dress made by Granny, Alisa. The Pattern is ‘learn to sew’ McCall’s 7589 as Alisa has had time out from sewing and needed to ease herself in gently, she was back for more fabric the following week so I think it worked!
Jacoba in red roses on black and white polka dot print stretch cotton sateen dress. We’ve said this before and we shall say it again, Stretch Cotton Sateen is a girl’s best friend when it comes to shift dresses. You can look smart AND be comfortable! 👍 😀
Pauline made this delicious summery watermelon print cotton up into this great a-line dress from McCall’s (M2401). The cotton is pretty lightweight (somewhere between a lawn and a poplin) and could have got away with no lining but Pauline went for the smarter option and lined it in cotton voile.
Frances made up this fabulous silver grey stretch brocade shift dress for her sister who was needing an outfit for her son’s wedding – she didn’t want anyone else to turn up wearing the same dress! She knew what she wanted and was delighted with the result (Obv!)
The pattern was copied from a dress that was bought a long time ago and made a few minor changes to the shape at the back, a toile was fitted first.
It is lined in Venezia but there is no interfacing as the fabric was weighty enough to hold its shape. as a bonus she says it was really easy to cut and sew.
Well, Frances, we think you made an exceptional Mother of the Bride Outfit for your sister right there! Well Done! 👏
The pattern is Vogue V1410 which has a wrap front rather than a front opening. The whole point of dressmaking is making exactly what you want* so of course these details are for us to alter!
*when I say we dressmake to get exactly what we want I mean within reason. We cannot alter patterns to remove a middle-age spread, or dropped shoulders, or [enter personal body hang-up here]. But we can dressmake to disguise these things.
Lauren made this amazing kimono sleeved coat for her final year degree show using pink felted wool coating. It’s tied together through oversized eyelets, has an extended hem at the back and an embellished shawl collar. Soooo beautiful!
Julie at her daughter’s graduation wearing the navy lace shift dress she made with fuchsia pink lining (the Champagne was made in France). This looks like a very simple dress that is easy to make but as with many simple things, the devil is in the detail and Julie has become an expert on fitting dresses beautifully to her curves. Beware: Once you take the time to do this you will never be able to buy shop bought again.
Kitcat in the shop for the holidays wearing her elasticated waist viscose dress made by Jane using Burda pattern 9367 (age 9). Jersey bias was used for the elastic casing and was set lower so the fabric blouses up. a drawstring was added to the front and the same jersey bias was used to case the armholes and neck.
Fit for a Princess. Spotted in the Torygraph on 15th March 2017. 60’s inspired dress made by Eponine –I hasten to add the red and white checkerboard suiting was bought from LG at source, not from us, but it is the same.
Julie at the Keep on Sewing weekend course wearing her navy blue crepey jersey dress with purple and white geometric print. She says she hasn’t stopped wearing it – it packs well and can be dressed up or down (it even goes with slippers!).
Susie terribly pleased with her spotty modal and elastane lightweight sweatshirting jersey dress -it has a great swing to it and has started Susie on a quest to find lots more jerseys with a similar medium weight like this. Watch this space!
Marion blending in nicely at the nursery with her orange and green floral print stretch cotton sateen dress with fabulous peplum detailing, made and designed by Dawn Hooper of Hardy and Hooper (Maidenhead).
Marion again, this time in a floral and paisley print cotton babycord top and skirt. All of us at Stone Fabrics are loving the scalloped hem and pattern matching. Made and designed by Dawn Hooper of Hardy and Hooper (Maidenhead). Soooo Clever!
Marion here wearing this super fitted stretch drill dress with lovely cut out detail on the back. She cheats by getting the uber talented Dawn Hooper of Hardy and Hooper (Maidenhead) to design and make it up for her (I must say if I had a Dawn I would too).
There is a danger with not-so-good designers to make ‘funeral clothes’ -clothes that look great on the front but are plain and boring on the back (you don’t need the back to look pretty if you are lying in a coffin). When we look at ourselves we rarely see our behinds (hoorah for that I say!) but other people do so it’s good to make it look pretty.
Jane made this “Channel” inspired dress using a LG tufted bouclé mixed fibre tweed for her daughter Lulu. The pattern is a discontinued Mizrahi vogue pattern that has been altered by adding a sleeve.
The whole dress was quilted to purple silk habotai lining – Jane cut all the pieces bigger and recut after the quilting was done (because the quilting tends to draw the pieces smaller), then a few more lines of quilting were added near the seams once it was sewn. Jane trimmed the neckline and pockets with velvet gimp braid.
Linda was waiting in for a delivery and thought she’d make a dress for Hogmanay… as you do. So here is what she made. It’s a New Look 6000 pattern with the gathered side made here in stretch velour. Isn’t it amazing?
Bess was supposed to be making a princess dress for her niece Eloise but it kind of mutated into a Wonder Woman dress instead. This is what happens when you sew with no real idea of what you are making! The skirt is made up of many layers of tulle with a Venezia lining, the bodice is yellow viscose jersey that was a bit thin for the job so was interlined with a cotton jersey, and then appliqued with a piece of sequinned fabric. There is elastic in the waist and sleeves to draw it in and red plastic snap fasteners on the back bodice.
The skirt was made without a pattern (gather the tulle until it is 7″ bigger than the waist), the bodice was pinched off a bridesmaid dress -long since discontinued and certainly not intended for floppy jersey. The worst bit was sewing the heart on straight…. or getting the bulk of the tulle onto the bodice (it had to be ripped apart and regathered with pleats as just gathering was too bulky with all the layers). Despite the moments of GAAAHHHHH! WHAT AM I DOING! it was a great fun make.
Bess made these two tutus for her nieces Kitcat and Miaow with a loose brief of Nutcracker in mind. There are a gazillion layers of tulle gathered and pleated and sewn onto a silk dupion elasticated waistband and embellished with feathers and sequins.
3 colours of tulle were used to get a greater depth to the skirts. A short layer of creamy beige, and second longer layer of sugar pink and a top (longest) layer of very pale pink.
Bess doesn’t really do ‘fluff’ but had a lot of fun making these. Her kitchen was well and truly tullified.
Sue looking STUNNING in Greece getting married, wearing the dress she made using fabulous embroidered silk organza. Sue slightly amended the Vogue Original pattern so she could make best use of the scalloped edge, removing part of the lining to allow for 180” of skirt material being gathered into 27” (few sleepless nights there) but all in all, it was the best possible fabric choice she could have made.
Allow 10% shrinkage for all your washable natural fibres (including viscose). Wash before making up in the same manner as you would with subsequent washes (including drying methods).
Jerseys and fabrics liable to mis-shape should be dried flat, or in a cool tumble dryer.
Most fabrics should be pressed before cutting.
If in doubt about care instructions please CONTACT US