Marion on a cruise in Nova Scotia wearing the most fabulous lemon print on stretch cotton sateen. The dress was made by Dawn at Hardy and Hooper (Maidenhead), Dawn has been making Marion’s dresses a while and they are always stunning.
We have been looking at this stretch cotton sateen multicolour stripe for a while thinking “something FANTASTIC could be made out of this”, and here we have the proof. Marion, with her dress made and designed by the clever stick Dawn Hooper of Hardy and Hooper (Maidenhead). We love the chevron detailing on the back, and the perfectly matched seams. This kind of attention to detail really pays off. 👍
Jacoba in red roses on black and white polka dot print stretch cotton sateen dress. We’ve said this before and we shall say it again, Stretch Cotton Sateen is a girl’s best friend when it comes to shift dresses. You can look smart AND be comfortable! 👍 😀
Marion blending in nicely at the nursery with her orange and green floral print stretch cotton sateen dress with fabulous peplum detailing, made and designed by Dawn Hooper of Hardy and Hooper (Maidenhead).
Lulu in her vintage 1970’s dress made in stretch denim with a lime green wash. Accented with patch pockets, the dress is unlined and has bias binding around the armholes/neck. She made this maybe… 15 years ago? So doubly vintage then!
Dresses in fabrics like classic denim that fit well will never go out of style.
Bess was looking at this purple piqué for well over a year before she decided she was able to wear purple, and is rather loving the extra colour in her wardrobe. The pattern is a long tried and tested pattern she took from a Jaeger dress (seen here in many guises). This time it is unlined and piped in green satin around the neck and has green bias binding inside the hem (just in case anyone should look inside.
Despite the close fit no zip is necessary – she just wiggles in.
Celia looking stunning in her rose print stretch cotton sateen dress made using Burda pattern 6920 (slightly lengthened). The dress is unlined as the fabric is already quite structured. Celia loves these stretchy cotton prints, as they are so easy to make up and fit beautifully.
Tracey in French France wearing her fabulous 3D floral printed Stretch Cotton Sateen pleated skirt using McCall’s 6706, there is cotton lawn lining (pink, of course) and pink and black tulle underskirt.
Jane made this lime green denim mini skirt and jacket for Miaow. The jacket was a pattern downloaded whose author shall remain anonymous due to the derogatory comments that have come out of Jane while making it. It was a battle to find a kid’s denim jacket pattern at all, it would have been quicker (and easier) to have drafted it ourselves after the multitude of alterations that had to be done to this pattern. The skirt was easy though!
Made using stretch cotton denim and trimmed with cotton poplin and coloured jeans buttons. The belt on the skirt is made by Harlequin who cover buckles and buttons with your fabric super quick and efficiently. Funky!
Jane at the Royal Academy Summer exhibition flaunting her floral stretch cotton sateen dress. The pattern comes from her block -which if you look at flat on the table looks absolutely barmy but fits her fabulously so don’t argue- Symmetrical, she is not!
The dress is lined in Venezia and there is a concealed zip up the back.
Bess made this turquoise cotton piqué coat for a wedding, wanting something very plain that would go with all her dresses. All the best laid plans and all that – Bess HATED it plain (felt like a doctor’s coat), so cut up some daisy trim and sewed them all over, and couched some yellow vintage strung sequins and green jute string as grass. Bess is not ruling out the possibility that there won’t be more flowers and insects added at a later date.
The Peter Pan collar is accented with red satin (ready made) piping and the same piping is used between the printed cotton lawn lining and the front facings. The sleeves are lined in red Venezia as they are fairly slim and need to slip.
The pattern is a Vintage burda pattern no. 7041, it makes up beautifully with hardly any alterations.
Finally the buttons were added, these buttons were the originals intended for the plain jacket but Bess was determined to use them, whether they go or not. (I think she gets away with it – just).
Gill from classes wearing her floral stretch cotton dress. This stretch cotton is not quite as heavy as a stretch cotton sateen so it was deemed necessary to line it, she used Venezia because this dress was made for holidays in sunnier climes.
Rachel wearing her blue digital print skirt with a fluted lowered hem at the back, this skirt works in both soft drapey fabrics as well as this stiffer cotton drill. The pattern is a Bellville Sassoon for Vogue, now discontinued but you might find it on the world wide interweb, V1296.
Bess wearing her panelled pop-art print stretch cotton sateen lined dress, complete with the fimo wedding couple wire framed ‘hat’.
Despite Bess going to the bother of putting in an invisible zip, she just throws it over her head. (she doesn’t put zips in that pattern anymore) AND, much to her disdain (and wasted effort), the dress was originally going to have a panel of the fab glow in the dark cotton straight down the middle, but she scrapped that idea after it was making it hang funny. (and possibly there is enough going on with that dress with out a girt big glowey stripe down her 😉
Allow 10% shrinkage for all your washable natural fibres (including viscose). Wash before making up in the same manner as you would with subsequent washes (including drying methods).
Jerseys and fabrics liable to mis-shape should be dried flat, or in a cool tumble dryer.
Most fabrics should be pressed before cutting.
If in doubt about care instructions please CONTACT US