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Green Spotty Dress and Raincoat

spotty cotton dress and raincoat

Clair wearing Off-white raincoat with Kaffe Fassett Green spotty panelled dress.
Fabrics and Notions (raincoat):
Proofed cotton
Kaffe Fassett spotty printed cotton (lining)
Double cover buttons
Piping cord with self-made bias binding
Viscose iron-on interfacing.
Pattern: McCall’s 5525

Fabrics and Notions (dress)
Green Kaffe Fassett spotty printed cotton
Green Venezia lining
Invisible zip
Piping cord and bias binding
Knitted medium weight iron- on interfacing

Clair, being the queen of matchy-matchy fashion excelled herself here with this summer-weight all-weather ensemble. Proofed fabrics will need a sharp, fine needle, such as ‘super-stitch’ or those intended for use on microfibre

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Green Linen Skirt Embellished with Shell Buttons

shell embroidered linin skirt with spotty frill

Clair wearing her green linen skirt embellished with lots of shell buttons and a spotty frill

Fabrics and Notions:
Green heavy linen
Kaffe Fassett Green Spot print cotton
Approx 45 shell buttons
Fine piping cord and self made bias binding

Embellishing a plain cloth with buttons or beads can be a really effective way of dressing up a fabric, which would otherwise cost (if bought ready embellished) a small fortune. Pay attention to aesthetics and practicality when choosing the placement, you may wish to concentrate the beads in one area, thinning out elsewhere, or only embellish the front.

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Kaffe Fassett Printed Cotton Dress and Skirt

Brandon Mabley printed cotton dress and ruffle hem skirt

Jane and Clair in matching ‘corporate colours’ dress and skirt using Kaffe Fassett printed Cotton

Fabrics and Notions: (Jane)
Kaffe Fassett printed cotton
Piping and self made bias binding
Cotton lawn (lining)
Invisible zip
Pattern: Simplicity 3881

Fabrics and Notions: (Clair)
Kaffe Fassett printed cotton
Venezia lining
Invisible zip
Lightweight knitted iron-on interfacing
Pattern: Vintage Vogue

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Black and White Cardigan Jacket

Black and White Chanel type tweed suit from Mahlia Kent

Clair wears black and white traditionally made cardigan jacket with matching straight skirt
Fabrics and Notions:
Mahlia black and white mixed fibres tweed
Purple silk habotai lining
Silk thread (for quilting)
Beaded fur trim
Decorative chain (for hem)
Silk organza (stabilising)
Salvaged Chanel ribbon

The trick to making a cardigan jacket look authentic (amongst other tricks) is to cut the sleeves skinny, and tight, up into the arm hole. It may feel like you are going to restrict movement doing this, but in fact the opposite is true. Try it, you will be pleasantly surprised.

Close up of cardigan jacket detailing trims and quilting
Close up of cardigan jacket detailing trims and quilting
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Blue Wool Melton Frill Skirt

wool melton frill skirt

Jane wearing wool melton skirt with frill hem. (Made by Clair)
Fabric and Notions:
Wool Melton coating
Shot Taffeta Frill lining, Venezia Lining
Viscose iron-on interfacing
Piping with bias binding
Invisible zip
Pattern: Simplicity 3881

Wool melton is traditionally used for coats and heavy jackets, but can be used on other garments when the structural characteristics of a coating wool is required. (It’s a good idea to use co-ordinating lighter fabrics to make up facings, if required)