Jane busy sampling wearing her digital print viscose jersey mock wrap t-shirt made by Bess. The Pattern is Kay Unger for Vogue V1519 which has a cap sleeve, Bess used the sleeve off another top (that just so conveniently fitted) so as to have a longer one.
As it was quite a complicated design and tricky to see the sizing so Bess made a toile first in cheaper jersey. The wrap part is lined in viscose jersey and Bess used turquoise stretch piping on the neck to keep the tension and shape. There were lots of pleats and tucks that were carefully marked, and whilst Bess truly did intend to follow the instructions she forgot after a while, but it came out okay. Hoorah!
Aiste had a moderate case of P.S.F. (phobia of stretchy fabrics) which we said was irrational and she should get over it. So she did.
This is her first attempt at sewing jersey – possibly not the easiest of choices but The Girl Did Good, the stitching is beautiful and we think this might be the start of something brilliant. Well done Aiste!
The jersey is a polyester and lycra (fine, slinky and super stretchy) which was possibly not what we recommend to beat P.S.F but the important thing is it is a fabric you really want to sew. The waist is elasticated. Nice and simple.
Bess wearing her digitally printed cotton jersey dress made using her (much repeated) panelled dress pattern-this normally has waist seams but she omitted them so as not to cut up the balloons too much. As the pattern is normally used on woven fabrics she also pinned out the little bust darts as they were unnecessary in this stretchy fabric.
This jersey is quite a heavy cotton jersey with a high percentage of elastane (6%) so it keeps its shape well and doesn’t need lining. Rather than meddling with facings (which never lie terribly well in such a stretchy jersey) Bess used jersey binding around the neck and arm holes.
All the seams were sewn in a jiffy with the overlocker, the hems and bindings were done on the machine (because it’s quicker to zigzag than drag out the flat locker).
Anne and her husband visited the shop in the summer, he was wearing these brilliantly bright and cheerful trousers and they bought the parrot digital print jersey to go with them – such a fun and cheerful outfit!
I am not sure which pattern Anne used but it looks like the Burda pattern I make up frequently -Burda 6602 (highly recommended). Anne used a small piece of turquoise cotton rib for the neck binding and pocket. We stock this pattern.
Bess made up this T-Shirt for Lulu (her sister – not the mannequin) , the pattern is Vogue elements 9926 size small with xs sleeve, zigzag hems and a self bound neck. It took 1 hour (most of which was looking for scissors)
Sue had never sewn jersey before so approached this project with a little trepidation, a few days later she was showing off her skills with both the white wrap top made in cotton and elastane jersey and the maxi skirt made in multicolour digital print lightweight viscose and elastane jersey. I think it is fair to say Sue is approaching jersey with a little less trepidation now 😉
Kitcat wearing her terribly kitsch cat digital print cotton and elastane jersey long sleeved dress (made by Jane). The pattern is Burda 8455 but Jane pieced together the yoke and hem so as not to cut up the print. Kitcat is such a squinge it is cut to age 6 but lengthened in sleeve and body (Kitcat is 9!). The neck was lowered so as to go over her head and negate the need for a zip but next time the neck will be altered so it doesn’t gape.
Now all the grown-ups want one too.
She then said that she needed pink leopard print ponte jersey cardigan to complete the outfit -personally we are not so sure this is a good fashion move but what do we know in the world of 9 year old fashion? We shall leave it to you to decide. The pattern is McCall’s 6542 (age 6 with lengthened sleeves), it is bound down the front and around the neck with jersey binding.
Daiga made this floral digitally printed viscose jersey up into a fabulous dress for a 6 year old using simplicity 1146. The neckline is embellished with diamanté (what little six year old doesn’t love a bit of bling? And what mother doesn’t love a dress that can be screwed up into a little ball but still looks perfect when worn?
Bonus points to Sally for an excellent evaluation of these trousers:
Now – what did I think about the Itch-to-Stitch cargoes? I previously made a dress from them (Oia pattern) for my sister-in-law, which was fabulous. The pattern was very well designed and the instructions were so good that even this very beginner sewer succeeded. So I had high hopes for the Sequoia Cargoes. But in all honesty I am slightly disappointed. Why?
Sizing. Based on her chart I’m half way between a 6 and 8 based on hip and a size 10 for waist. Two toiles later, I wound up cutting the pattern halfway between a 6 and 8 for everything except for the waist which I actually graded DOWN to a size 6. Very illogical. The overall fit works fairly well on me – better than any other trouser patterns I have tried. I generally have to modify the crotch pattern based on a pair of RTW jeans that I like the fit of.
The instructions have some anomalies. The zip insertion is strange.
With a 1″ wide zip, the second stitch line would be on the very edge of the zipper tape. And anyway, why would you want the first stitch line/fold not closer to the teeth? I emailed Kerris at Itch-to-Stitch to question this instruction. She didn’t really understand the problem and advsed me to follow her instructions for putting a zip in jeans. I had already put the zip in my toile using my tried and test jeans zipper insertion method. It worked fine, but created a problem later with the sizing of the left and right waist band pieces. So I cut those pattern pieces larger in order to make it all come together right.
The Waistband is ribbing folded around a 1″ elastic. Following this instruction results in the seam joining the waistband intersecting the zig zag stitch. So half the zig zag is visible in the waistband. Again I asked Kerris about this and she pointed out it was a basting stitch and therefore gets removed. But it is not really feasible to remove this zig zag stitch when it is run through with a seaming stitch. So I did the zig zag higher up the waist band. After I inserted the waistband I decided I liked the look of the zig zag running through the middle of the ribbing so I left it in as a design feature.
Finishing the seam allowances: Given my choice of fabric (very prone to fraying) I struggled. I don’t have an overlocker – would love one but just don’t have the space to set it up. So I zig zagged the seam allowances. Not a great finish. Be interesting to see how they wash up.
Overall impressions of the look: I didn’t include the side pockets or the leg straps. I also didn’t put poppers on the back pocket flaps as I felt they were too heavy for the fabric. I wanted a wider leg but find the legs a bit wider than I would have liked. And I think the back pocket flaps are too large. I think a heavier fabric would better suit this pattern. Perhaps even something with some stretch. Will I make another pair? Probably not.
Thank you Sally!
itch to stitch tencel denim cargoes & stripey viscose and elastane lark t-shirt itch to stitch tencel denim cargoes & stripey viscose and elastane lark t-shirt
Rachel wearing her fabulous digitally printed graffiti cotton and elastane jersey wrap t-shirt. Rachel had made up this t-shirt before in a Liberty pure cotton jersey but there’s a lot of elastane in this jersey (6% -double what you usually get), which makes it super stretchy and caused a few alterations to be made, she got there in the end! Jersey used to be Rachel’s nemesis but she’s learning how to kick it into shape.
Jerseys, just like wovens are not all made from the same mould, the weight, the fibres, the density of knit and percentage of elastane all effect the way it behaves, so even when you think you’ve got the perfect pattern along comes a new fabric that needs alterations. Such is the joy of dressmaking!
Anyway, it’s fab, and you learn much more from our trials than the easy projects (just keep telling yourself that).
Allow 10% shrinkage for all your washable natural fibres (including viscose). Wash before making up in the same manner as you would with subsequent washes (including drying methods).
Jerseys and fabrics liable to mis-shape should be dried flat, or in a cool tumble dryer.
Most fabrics should be pressed before cutting.
If in doubt about care instructions please CONTACT US
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